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28 February 2018 / News
American pianist Diane Walsh will be in New Zealand in March 2018 and we’re delighted to have the opportunity to perform with her in concerts for Auckland University and Chamber Music Wanganui. Diane is a former prizewinner in the Ferruccio Busoni, Van Cliburn and Salzburg Mozart competitions and highlights of her career include recitals at Carnegie Hall, Wigmore Hall, and the Concertgebouw in Amsterdam.
Reviews of Diane's playing have talked about her “intelligent virtuosity” as well as her “exquisite care and loving touch”. One Washington Post reviewer wrote:
“...to each work she brought not only a lovely tone and immaculate technique, but a deep sense of personal conviction”.
Our concerts with Diane in Auckland and Whanganui will feature Elgar’s magnificent Piano Quintet, written in 1918 during an intense period of chamber music writing which also produced his Violin Sonata in E minor and the String Quartet in E minor.
Diane will also be giving a series of solo piano recitals in Wellington (at the New Zealand School of Music), Marton (for the Marton Music Society) and Hamilton (at Waikato University). Her solo repertoire in Whanganui and Marton will include Debussy's Reflets dans l'Eau (Reflections in the Water) from his Images which she plays in this video, recorded in 2007 in New York...
17 August 2018 / NewsIt is with great sadness that we record the passing of NZSQ Trust board member Kitty Hilton in June this year. Kitty was appointed to the board in 2016 but her connection to chamber music and the NZSQ went right back to the music she was surrounded by in her childhood. Read More
17 August 2018 / NewsOne of the great joys of international touring is the opportunity to re-connect and collaborate with colleagues around the world, be they ex-pat New Zealanders or other international artists we’ve met at home or abroad. Read More
17 August 2018 / NewsSchubert’s ‘Trout’ Quintet is, without a doubt, one of the most popular chamber music works of all time – a favourite with performers and audiences alike – but because of its rather unusual instrumentation (piano, violin, viola, cello and double bass) it’s not performed as often as one might expect. Read More