- Concerts & Tickets
- News & Reviews
- Watch & Listen
- Support Us
- About Us
- Contact Us
15 October 2018 / News
The Guarneri family, including five very famous violin-makers within three generations, is the most distinguished family of luthiers in history. Andrea Guarneri, who studied in Cremona with Nicolò Amati (the maker of Gillian’s viola), was the father of Giuseppe and Pietro, and the grandfather of two more makers - confusingly, also named Guiseppe and Pietro. In order to distinguish them, the older Giuseppe is called “son of Andrea” and the older Pietro is called “Pietro of Mantua.” The younger pair were the sons of Giuseppe, and Giuseppe the younger (known as “del Gesu” because he wrote IHS (Iesu Hominem Salvator) on his violin’s labels) became the most celebrated of them all. His brother Pietro (1695-1762) moved to Venice around 1720, where his shop was around the corner from the Gofriller shop (where Rolf’s cello was made) and is known as “Pietro of Venice”. It was this Pietro who made Helene’s violin in 1730. As this was during Vivaldi’s tenure at the the Ospedale della Pietà in Venice, who knows, perhaps it may have participated in a world premiere of a Vivaldi concerto… Helene writes:
I don’t know much about its history except that I have a German dealer’s certificate from 1933, so this leads me to believe there may have been some pressure to sell a beautiful old violin in that year of Hitler taking power in Germany – perhaps in order to emigrate... Later it was owned by an American violinist, Lucy Nedzel, who had been a child prodigy, attended the Marlboro Music Festival in Vermont in 1954 and later became a scientist. I acquired the violin in 1990 when my father came into an inheritance (his father had been a very successful author of physics textbooks) and decided to turn what was to be my share into a tool for my trade. It has been with me for more than half my life and has become my voice.
At nearly 290 years old, Helene’s Guarneri needs the occasional health check and over the summer break last Christmas, Wellington-based luthier David Hume took the violin apart to steam out some dents in the top plate. These pictures show the process…
David Hume removes the top plate …
… and Pietro Guarnerius’ original label sees the light of day!
A plaster cast is made of the top plate.
A heated sandbag is used to steam the dents out.
A new bass bar is glued on.
The bass bar is shaved for optimum sound quality.
Hero image of Guarneri violin (top of page) by Mark Robinson.
22 April 2020 / NewsWe're used to making music together and travelling to perform for audiences around New Zealand and overseas, but the COVID-19 crisis has meant huge changes for us all. In New Zealand, we are currently into the fourth week of lockdown – a position many of you reading from around the... Read More
21 April 2020 / NewsLate last year we tidied up a bit backstage, adding more videos and audio tracks to our digital channels. Until we can perform publicly again, there are plenty of playlists and short clips to explore. Read More
25 February 2020 / NewsLast weekend the Adam Summer School concluded another year – once again on a high note. Across nine days of more than a hundred coaching and practice sessions, public masterclasses, community concerts and Feldenkrais classes each of the students in our seven ensembles worked incredibly hard. Read More